Jenifer Evans

“The Magic of the State,” held last month at the Beirut art space in Agouza, took a lot of time.…

Hassan Khan’s film “Blind Ambition” reminds me of high drama, westerns, myths, operas. But it’s only 46 minutes long and…

I met the 10 InterLAB/Tele-exhibition collaborators less than 48 hours after they had met each other for the first time…

“Battles of Images” was a series of talks centered around an examination of photojournalism and its links to aid held…

One of Faten El Disouky’s works is a huge yellow cuboid of foam. It comes up to about waist-high, and…

  Though I’ve managed to overcome many of the challenges that face women in the patriarchal society in which we…

“I’ve been watching this film for three days and I haven’t been the same,” said Moukhtar Kocache. “Walking in the…

Indian author Amitav Ghosh wrote “In an Antique Land” in 1992. It has two parallel narratives, one about his stay…

Ahmed Kassim handles paint confidently. He uses it in a relaxed way. He paints silhouettes and fills them in cursorily…

Azin Feizabadi is in Cairo, hosted by the art initiative Beirut. His presence is visible as you approach Beirut’s villa…