Culture

Final Issue: ‘Crop’ challenges dominance of state-produced photos

Final Issue: ‘Crop’ challenges dominance of state-produced photos

This piece was written for Egypt Independent’s final weekly print edition, which was banned from going to press. We offer you…
Final Issue: Five great films, books and works of art

Final Issue: Five great films, books and works of art

This piece was written for Egypt Independent’s final weekly print edition, which was banned from going to press. We offer you…
An artistic duo re-presents a dying art in Cairo starting tonight

An artistic duo re-presents a dying art in Cairo starting tonight

As they walked out from “I’m Nobody’s Shadow” onto the streets of the ancient city of Tunis, audiences couldn’t help…
A new film documents Egypt’s emerging skateboarding scene

A new film documents Egypt’s emerging skateboarding scene

ALEXANDRIA — Lurking in the shadows of the many shoddy post-revolution films on Egypt lies a story not many people…
‘Dogs Don’t Eat Chocolate’ offers little beyond catchy name

‘Dogs Don’t Eat Chocolate’ offers little beyond catchy name

Only a few months after the launch of “The Time of Beautiful Melancholy,” author Omar Taher graced his avid readers with…
The pick: Bahr Abu Greisha’s ‘Rahhal’

The pick: Bahr Abu Greisha’s ‘Rahhal’

Whether you want to dance the drunken night away, or wallow in solitary self-pity, Bahr Abu Greisha is your man.…
For Al-Khayal Al-Shaabi theater troupe, Egypt is a dynamic stage

For Al-Khayal Al-Shaabi theater troupe, Egypt is a dynamic stage

The crowd gathers quickly. In a burst of color and sound, the troupe drums, sings and dances, leading the growing…
D-CAF picks of the week

D-CAF picks of the week

The Downtown Contemporary Arts Festival offers in its final week an exciting program for the community of Downtown Cairo.  …
A Q&A with leading mahraganat singer Sadat

A Q&A with leading mahraganat singer Sadat

It’s not shaaby, and it’s not moulid music. It’s a mahragan, or a “festival,” and Sadat should know, considering he’s…
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